As Manuela was assuring me a moment ago, if something can go wrong, it probably will.
I went down to the school's Human Resources last Friday after work to try to get my employee ID, but once I got there at around quarter after three, I was told that the only possible person who could administer my ID was in a meeting. This meeting would be running for an indefinite amount of time, so I should just go and call on Monday (today) before dropping in.
All of this, of course, was preceded by a myriad of questions about why I didn't already have an employee ID, and why wasn't I given one at orientation? Why do I need one now? Etc. Not that it was really anyone's business but my own, but I answered all of these questions with frank honesty. I don't have an ID, because I haven't needed one until now; and they didn't give me one at orientation, because they weren't sure of my ID number (which is the exact same number as my student number--a fact that I was well aware of ahead of time, but that they doubted at this orientation); I want one now, because I'd like to join the University's gym, and you need a valid University ID in order to swipe through.
So I called this morning, and--after being put on hold, and then having to leave a call-back, and then being called ten minutes later--was told that any time between nine and four would be convenient. I left my office almost immediately, because I wanted to get this over with, once and for all!
Between 11:45 and 12:00, I was sitting and waiting in the HR waiting area--and then I actually made it into the picture-taking room! But then I was left to sit there alone for another fifteen minutes or so ... and when the woman, all too willing to give me an ID came back, the camera was upside down. Why they can't rotate the image in the application they have, I don't know--but they can't.
And they couldn't fix it either. All they could do was giggle about my upside-down state, and assure me that it's never done that before. After fiddling with the programme and poking the camera a few times, they asked me to call them again at three and see if the problem was fixed. So I'm going to call them after work, and maybe--just maybe--go get my ID.
However, after all this nonsense, I'm nearly convinced that the universe is conspiring against my efforts to get an employee ID. Or maybe it's just a case of its being Monday. Whatever the case, I'm hoping for the best, while having the good (and, yes, pessimistic) sense to expect the worst.
What's been entertaining me lately? Netflix is doing a good job, and fan fiction too. Arkaidy updated a 19th chapter some time last night, and I started reading it this morning, but then I had to go to work--and this ID madness has kept me from taking full advantage of the internet today (and so what am I doing right now, then? oh, yes--public venting, that's right). I'm interested to see how the gods-battery is going to work out. I'll probably just re-read the beginning and then the whole chapter whenever I get home tonight.
Lately with Netflix I've been watching Beauty and the Beast (a show that first aired in 1987, staring Ron Pearlman and Linda Hamilton [Nemesis, nya-ha-ha--no, really]). I only vaguely remembered watching it with my mom when I was younger, but I did recall that we both enjoyed it, so I decided to rent it.
It's a little saccharine, and more than a little melodramatic--leading me to the conclusion that it was best taken in small, hour-long, weekly doses. You know, rather than three hours in one shot. Watching four episodes, one after the other, the dialog becomes repetitive; and Linda Hamilton's behaviour is noticeably wishy-washy. I keep expecting her to do something bad-ass and Terminator-ish, so the softer-side-of-Sears attitude of Catherine just seems fake and annoying.
Even after all of these criticisms, I still enjoy the show. There's something distinctly nostalgic that I get from watching it. I remember sitting on the foot-end of the bed in my parents' bedroom, eating popcorn, and being allowed to stay up late and watch this show. I always thought that Vincent and Catherine should get together--in spite of his being a mutant cat-faced man.
And I still think that 'Vincent' is better looking than Ron Pearlman. ****
I feel like I should say something about The River King as well, since that was the last actual movie that I received from Netflix. I can't think of anything clever at the moment, though; only that it's weird to hear 'Elizabeth Bennet' (Jennifer Ehle) with an American (or maybe it was supposed to be Canadian?--I know that she is actually from one of the Carolinas) accent and to see her with straight blond hair (though, for all I know, that may be her real colour).
It's a hazy, gray film, and the surprises are more like depressing disappointments; but its brooding quality is also what makes it a beautiful piece. ***1/2
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