(Cross-posted to LiveJournal)
When last we saw him, Mr. J and Dr. Quinzel were meeting in the Arkham cafeteria for therapy (a perk after J's being attacked by Dr. Strange). This time, the Arkham staff are testing the therapeutic effects of art ...
New from TheJokerBlogs, "Artistic Merit":
The way he pauses at 3:51 is just perfect--going from anger to interest to flippancy to blank consideration to anger again with renewed artistic vigor. Along with his take on the Mona Lisa and a portrait of Jerry the giraffe (from a comic strip he did months ago), Harleen's portrait is posted on DeviantArt:
Harlequin by ~thejokerblogs on deviantART
The altered version is on Facebook: here.
Also the inclusion of Pearl (from Arkham Asylum, and voice work done by MsManagr) at the end made me smile.
More to do with TheJokerBlogs: I ordered what will hopefully be a better version of my WWJokerD T-shirt (a white T instead of green this time). Alas, the red text on the green shirt has not had a lasting power in the washing machine. The result is that, from not very far away, it just looks like a WWJD slogan--and this in spite of only ever washing it in cold water. So I'm going to "fix" it myself, as it's well beyond the 30-day return time limit set by CafePress, and MsManagr has given me the go-ahead to vandalise the hell out of it.
I think this is going to be fun. When it's done, I'll show and tell.
14 June 2009
"Artistic Merit"
02 June 2009
fanning the J flame
(Cross-posted to LiveJournal)
Don't get me wrong. I'm impressed with the following video. I even applaud them for borrowing heavily from The Killing Joke. But the other side of that is wondering exactly how much money was needed to fund this little project. They claim they're non-profit, but somebody is obviously pouring money into it (whether or not they're getting any back). Wealthy parents, ne?
I still prefer TheJokerBlogs (shocking, I know [/sarcasm]), because, well, he actually acts. When I watch him, I believe he's J. When I watch the above--well, it's girls lip-syncing in cosplay. Entertaining for what it is (a souped-up music video), but it doesn't make me believe in it.
[23:35 EDIT:
... I gave it further thought; and it's probably unfair of me to judge these two production groups on the same merit when their goals are not even remotely similar. The Hillywood Show seems geared for the spectacle, more focused on makeup and special effects (this is even more obvious in their other videos--and that they're very gifted at physically impersonating Johnny Depp characters, if not vocally so); whereas TheJokerBlogs is more interested in a realistically portrayed continued character and plot development of The Joker following The Dark Knight.
Hillary and Hannah want their own televised show. [-----] wants an acting (and, I suspect, writing/directing/producing) career.
Still, seeing what amazing things he does with the low budget he has, I'd be interested to see what he'd come up with if given the kind of budget that these girls seem to have.
END EDIT.]
14 March 2009
degree of extreme
(Cross-posted to LiveJournal)
The cover of the Spring 2009 BU Arts & Sciences reads:
"BU (extreme) South - Geomorphologist David Marchant and his team of students discover Antarctica's secret past"
But, of course, because I'm still stuck at the mountains of madness, "secret past" makes me think of starfish-headed tentacle aliens in a labyrinthine city ...
And then Professor Marchant's Earth Science class, but that was pathetically secondary in my thought process. Yeah, I had a 9 AM class with him in Freshman year, and it was about as stirring as Lovecraft's "Mountains" (unfortunate for a morning class and a morning read, respectively).
Marchant is like my very own Dyer, and because of this little morsel of information regarding his travels, I will now be imagining him in place of my original mental sketch of Professor Dyer (in spite of the fact that Marchant is actually much younger than Dyer is meant to be). Yay!
I've listened to about a half-dozen of these in the past two days. "About," because I downloaded the first six but fell asleep listening to one last night.
My original notion of Russell Brand came from that Andrew Sachs prank phone call business. I listened to the audio of the radio programme long after the fact, and it wasn't so much scandalous to me as it was blown way out of proportion. I heard about the VMA nonsense a bit later, but I didn't really care ... because, well, I don't care about MTV.
But after watching Brand's special from New York City on ComedyCentral, my opinion of him has improved. Sure, he's an eccentric little giraffe (and a manwhore, to boot), and a lot of his routine is specifically grounded in moments of personal embarrassment, but he also has this marvelous ability to slip into beautifully poetic rambles. Very entertaining overall, so I went in search of more--and, indeed, found more.
Then, today I was watching movies on the Instant Queue and picked Penelope, because I remembered that a coworker had suggested it. And who should make a very brief cameo in that film but Russell Brand? I wasn't even paying attention at that point, to be honest (because I tend to web browse all the time); but then I heard that voice, to which I've become quite attuned with the aforementioned radio broadcast .mp3s and falling asleep to it and so on, and my brain went: Russell?! And there he was talking to James McAvoy's character! Very, very brief cameo, but it makes me feel as though my subconsciousness is dragging him around with me.
26 February 2009
DON'T PANIC
30 July 2008
visions of the future
Reading Good Omens--particularly this bit where Aziraphale speaks through the televangelist, informing everyone listening what the apocalypse is really like:
'"Well, nice try," he said in a completely different voice, "only it won't be like that at all. Not really.
"I mean, you're right about the fire and war, all that. But that Rapture stuff--well, if you could see them all in Heaven--serried ranks of them as far as the mind can follow and beyond, league after league of us, flaming swords, all that, well, what I'm trying to say is who has time to go round picking people out and popping them up in the air to sneer at the people dying of radiation sickness on the parched and burning earth below? If that's your idea of a morally acceptable time, I might add..."'
The notion of the Rapture strikes me as the ultimate schadenfreude delusion. Really.
And then happening upon this in my rounds of catching up on the webcomics ...
marriedtothesea.com
I'm pretty sure I prefer Mr. Gaiman's and Mr. Pratchett's version of things, but I have a soft spot for Natalie and Drew. And life sucks enough that Republicans would bring about an apocalypse.
It made me think of that magic line from Doctor Who, but I'll mess with it to make it work--
'Don't you think he looks tired?'
And if you can't guess who 'he' is, you're not trying hard enough.
29 July 2008
BUMP
Answering the mandate to "tell all my friends," I now switch over to pimp-mode. Ahem.
Look at this free comic I received:
Do you like random comics? Would you like to receive your very own random comic to tack on your fridge, tape to your monitor, or post on your office door to alienate and bewilder pesky colleagues?
Make your Tuesdays ever more random and fun with Tuesdays With Turbo! Turbo draws a comic, you respond first with (and this is KEY): "I WANT THAT," and she mails it to you. It's that easy.
Check in every Tuesday for your chance at a new bit of free randomness!
So now you've been told. Go there.
25 July 2008
long wait
When I went back to re-read the email that Amazon.com sent me, I noticed the "shipping estimate" for my graphic novels ... September 4, 2008 - September 12, 2008?!
I get that they're low on their stock, but the new stock is coming in (according to the site) during the first week of August. Why the month-long delay? Did the order surge really take them by surprise?
It's not that I don't have other things to read. In fact, I can easily while away more than a month on the amassed unread books around the house. But sometimes you want what you want RIGHT NOW.
Eating wasabi peas is not one of those wants that you should satisfy whenever it springs. Especially not in the morning on an empty stomach.
Ugh.
I'm already all out of fanfiction this morning. There have been decent ones. There have been pretty awful ones where my suspension of disbelief has threatened to shatter and shred the authors with shrapnel (that's not quite alliteration, but it pleases me).
In regards to recently read Batman fanfic:
Complaints about just one: Clubbing a suspect on the head when he's already apprehended is what is known as police brutality, and the victim of said brutality would probably walk on account. ... It's not up to detectives to determine why or if people are crazy. Change your character's motives, or change her profession. Or stop. Just full-stop. ... And nobody survives being a cop or a detective when they throw a temper tantrum every time a suspects says something unkind. Really.
Also, a general observation--there were apparently a lot of Mary-Sues at Bruce Wayne's benefit for Harvey Dent. Dozens, maybe. I don't know how Chris Nolan managed to dodge all of them, really.
In reading the fanfiction, I definitely get a better grasp of what others perceive about these characters. But, more than that, my own perceptions become a bit clearer to me--what works and what doesn't. What works in the illustrated universe of Batman is not necessarily what works in the animated series, Burtonverse, [then that odd gray period of Batman Forever and Batman & Robin that we like to ignore, though I thought Jim and Tommy did well with what they had], or Nolanverse.
For example, reading fanfiction based on the animated series and using Mark Hamill's Joker--if you try to read it and envision Jack or Heath, it might work. And it might not. Similarly, if you read the recent Nolanverse fanfiction, having Mark or Jack in mind can work some of the time. But if it's fangirl mooning of the PWP variety? Well, you get squicked. Or I do, anyway.
That said, I still can't take Bruce/Joker slash seriously at all. Even with the "you complete me" (which, even the first time around, made me think inappropriately, "I wish I knew how to quit you.") and the "I don't wanna kill you--what would I do without you?" lines. I get it. They're a yin yang, immovable object and unstoppable force, blah blah blah. But I can't see Bruce touching Joker unless it's to clock him silly. Joker/Scarecrow, I've read; and I think it sits better with me because they're both cold-crazy.
But, actually, nothing that paints the Nolanverse Joker as being sexually driven really works for me. The drama/romance/non-con/PWP just doesn't fly, and the writing always goes quickly out of character. Anarchy, the biggest shock, turning stuff on its head--that works, that's believable. And, reading people cite the Joker/Rachel interaction as proof of sexual motives? No. First, he goes after the old man in the scene because the old man sets himself apart by speaking out. He turns his attention to Rachel only because she too chooses to set herself apart by speaking out. The sexual innuendo is merely the sure-fire way to cause the most shock and horror; and he may recognise her as Harvey Dent's girlfriend, so it's also the quickest way to drag the DA out of hiding--which is why they're there, after all.
Tragic and abused? Some writers have taken the story that the Joker tells the mob boss (right before gutting him), as gospel truth about the character, using it to create a more understandable and wounded version of the character (that an OFC will obviously comfort, kiss, and make all better). Except--clearly he's telling stories, as we get an entirely different account of scar-origin during the benefit party. I'm with Michelle in thinking that he probably did this to himself, and just enjoys telling the most effectively horrifying story per whatever audience he has at the time.
OK, enough criticism for now ...
I recognise people on my commute. And they recognise me. It's a complacently good-natured community.
20 July 2008
makes you stranger
Encore. No, really, I need to see The Dark Knight again.
And maybe I'll be doing that today at CinemaSalem. I know it probably won't compare to yesterday's IMAX experience, but still ... NEED. Or, rather, very much want.
The first show is at 1145. I wonder if they're sold out for the day already. It's worth a shot, and it only takes me five minutes to walk over there and find out.
Picked up books 9 and 10 of Fables at Harrison's yesterday evening. My original idea was to look for a copy of Watchmen to flip through and decide whether or not to read. And then I came to a spinning rack of the Fables books first, which kind of doomed anything else's chances.
Things that are far too convenient at present: the gelati and coffee at Jaho, the incredible wealth of comics and other fandom paraphernalia (yes, they have Whoverse) at Harrison, CinemaSalem (which may only have three screens, but knows how to pick 'em), and the Derby book store. These are practically all of my favourite vices contained within a half-mile radius of home.
In relation to a previous entry, the cold-brew turned out quite well. I may mess with the ratios in future attempts, but this was not disappointing.
09 July 2008
lulling minds
Netflix sent me The Man Who Laughs, Persepolis, and disc two of Season One of Hustle (which was cracked along its radius, alas).
Within fifteen minutes of getting home, the Peapod truck arrived with my groceries, and then I spent the next hour and a half talking on the phone with the parents while making dinner.
The sweet potato rice idea came from a book of bento recipes (though I didn't use the prescribed sake and replaced the salt with a little soy). Asparagus came in the delivery, and the beef cubes were left around from the Market Basket shopping spree. I now have an abundance of sweet potato rice. It's good; but there's a lot of it.
On the food note, I think I might visit Super 88 during tomorrow's lunch break and see what I can find in dried mushrooms (or even their fresh mushrooms, since they might have a decent selection) and other dried food stuffs that would be easy to carry home.
Anyway, I didn't actually sit down to dinner-and-a-movie until eight o'clock. Movie choice? Persepolis. I really, really, really like this movie. It's funny and sad and amazing.
I think my favourite part might be when a young Marjane Satrapi is wandering through the purveyors of contraband goods (Western music, cosmetics, alcohol), and the dealers are muttering their wares as she passes by: "Bee Gees" - "ABBA" - "Pink Floyd" - "nail polish" - "Jichael Mackson" (yes, just like that).
After it was over, I was browsing through the special features and realised there was an English audio function. I'd been watching it in its original French audio with English subtitles. Oh, well. Nothing against Iggy (because I love Iggy), but the French Uncle Anoosh was probably better. Originals usually are.
Seeing the movie makes me want to read the graphic novels more than ever.
26 March 2008
13 February 2007
part-time cutter
contemplating Dilbert
Scott knows. I'm not sure why he knows--probably from some horrible experience of his own, but one doesn't usually imagine these kinds of awkward situations between two men. Well, not outside the realm of Steve Martin comedy anyway--if that makes sense. It might not. It's early. I don't have coffee yet.
This strip made me giggle a lot. Most days Scott Adams is a ho-hum experience for me, but the theme of yesterday's strip into today's has struck a chord. (Click the little strip for full disclosure.)
It was probably because of that peculiar man in 99, and then reading about Christina's experience with "Paul who wouldn't go away" and the IRA man in Belfast. And, you know, being reminded of every other time some strange person got too much into my personal space or shared too much information in too short a span of time.
It's like that. And when it happens to me or my friends, it's creepy; but having it happen to Dilbert, and to such an absurd extreme, is hilarious.
Schadenfreude? Vielleicht.
the tax refund and a brief lament for yesterday's coffee
I keep checking my ING account for my direct deposit from Federal and Massachusetts.
Federal says it should get there by the 23 February (though, with a tiny-font post-script that "cannot guarantee the actual date"), but Massachusetts isn't making any promises at all.
Oh, well. I'll keep watching. [Edit 1125: It figures that the State refund would get there before Federal. Not that I'm complaining. It's a good refund. It's just kind of odd that the people giving me no sense of waiting time should get my money to me quickest. End edit.]
I want coffee sooooo bad right now. Hopefully it will be better than my sour-milk experience of yesterday. Ugh, that was horrible.
movies movies movies:
Having had some coffee (yes, a great improvement on yesterday's), I'll now write on upcoming entertainment.
First, this. I'm sorry, what?
WHAT?!?
John Travolta is NOT Edna Turnblad. At all. Ever. The end!
It's not even so much that they're re-making Hairspray that bothers me. That actually doesn't bother me at all. It's the Divine versus John Travolta thing that irks me.
Divine ... (Let that sink in.) ... Travolta? Eh?
Maybe it's not as ridiculous to somebody who's seen the stage production, but that seems really miscast to me. Other arguments are quite welcome.
So why did I hear about this? Because I've been checking the release calendar on IMDb to see how much the movies are going to set me back this summer. So far I have six must-see movies on my list:
*Harry Potter Part V (which is bumping up against the release of Deathly Hallows)
*Live Free or Die Hard (yes, it's probably going to be awful--and I don't see how they can top Bruce Willis and Sam L. Jackson running around NYC mouthing off at one another--but I'm faithful to this franchise, so I'm going to see it)
*Ocean's 13 (I've really enjoyed the last two, in spite of the fact that I went into them feeling dubious; I'll go into this one just as dubious, and hopefully be pleasantly surprised again)
*Pirates of the Caribbean: At Worlds End (Hi. It's Johnny Depp. And Orlando Bloom. And PIRATES. Short of the theatre catching fire, nothing is going to keep me away ... and, in case of fire, I'll be running into the cinema to save the precious reels ... my preciousssss)
*Spiderman 3 (Peter. Parker. The end.)
*Transformers (Hey, it's a remnant of my childhood being made larger than life--I'd probably go see a movie about The Smurfs if they CGI'd it to death)
phone and television technology:
I'll just keep adding things as they come to me rather than creating a whole new entry; that way, people won't have to read any of the extras if they don't want to. Well, not that they have to read the original entry or any of my entries, but there it is.
My phone has now lost the ability to take a charge for more than thirty minutes. If it's not plugged into the wall, it'll die within half an hour. I don't know why. The battery is brand new (since November). My only guess is that the phone is going bad and sucking the power out of the battery at a quicker than normal rate.
It's frustrating. I never know what time it is (yeah, I should just wear a watch; but I never needed [and, so, do not own] a watch when my phone was working).
I think my parents have talked me into sticking with Sprint (it gets us a family rate and, I think, free phone calls between us), but they understand my desire for a new phone and are offering to get me said phone.
They won't tell me what they're considering, so I have no idea what to expect.
My dad is talking about getting a new phone too. Oh, and a new television. They have four televisions, three of them are ridiculously huge and really nice. the fourth is old, but it works. actually, they all work. And that's not including the 19" Sony in "my room" in the Durham house.
He needs an HD television, because "soon anything that isn't HD will be obsolete, and won't be able to receive the cable feed" ... so, what he's basically telling me is that ALL cable companies EVERYWHERE are going to expect ALL their customers to buy a $1000s+ television set.
For some reason, his logic doesn't fly with me. Cable companies and their advertisers want to be able to reach the lowest common denominator in society, because even poor people have television; and whatever little money they can save, you can be sure that big companies will want the chance to take it back through consumer spending--which happens most successfully if and when people are bombarded with advertisements. So I doubt that television is going to become HD-only any time soon; not unless HD becomes more affordable for the masses.
Also, you don't like your current televisions? Would you mind sending one to us? Because we'd LOVE to have a nice television for our living room. Thanks.
chores left unfinished:
*laundry
*vacuuming
And crafting too, but that's hardly a chore, is it? I swear that I'll at least make the effort to not go home and collapse today. I'll do a load of laundry and vacuum the floor by my wardrobe. There. Now I must do it.
09 January 2007
on the wampage
Sometimes you find the best things accidentally.
When I arrived home yesterday, Maddigan's Quest was waiting for me in the vestibule. I watched all thirteen episodes last night--my attention divided between watching the television, eating my dinner, and cleaning my room. And speaking of cleaning my room, I'm quite proud of the progress I've made in ridding the floor and surfaces of clutter. My desk and book-shelves require the most attention at present, but all else is reasonably clutter-free.
On Maddigan's Quest again, conveniently the series finished at around 10 PM when I was ready to go to sleep.
Maddigan's Quest - Set in a post-apocalyptic future, Maddigan’s Quest follows the circus troop ‘Maddigan’s Fantasia’, who come from the only remaining city, Solis. Each year, the Fantasia leave Solis to perform and earn a living, but this year is different: they have been set the task of obtaining a new Solar Converter to replace the existing converter – the only power source in Solis – which is failing. At the centre is 14-year-old Garland (Rose McIver) – the final Maddigan. However, as the Fantasia are attacked on their quest, two mysterious boys, Timon (Jordan Metcalfe) and Eden (Zac Fox), appear with their baby sister Jewel. They claim to be from the future, from Solis, where the Fantasia have failed in their quest and the evil, revolting Nennog (Ross Duncan) has taken power. They have come back with a Talisman which appears to give Eden extraordinary powers, to help the Fantasia succeed in their quest. But they also bring danger, in the form of Ozul (Peter Daube) and Maska (Michael Hurst), two men who will stop at nothing to capture the boys. Can the Fantasia protect Timon and Eden, and succeed in their quest to obtain a new solar converter for Solis Maddigan’s Quest is a vivid tale of magic, adventure and time-travel, from the internationally renowned children’s author Margaret Mahy.
I'm determined to watch the series again before I make any great statements about the whole, but I will say that I have two favourite performances from this show--Michael Hurst (Maska) and Jordan Metcalfe (Timon).
Maska is a robot--well, a human head with a metal body--and a sort of underling to Ozul (Peter Daube), but I get the impression that he is the more thoughtful and sensible of the two. Michael Hurst plays the character dead-pan and ruthless, and he devotedly disappears into the role (as he does with every character he plays). The snarking between Maska and Ozul usually winds down to Maska having the last word, and they're always excellently cutting last words.
Timon is a morally ambiguous character; though, at the beginning of the series, he feels very down-to-earth, a conscientious boy-next-door, the would-be hero. That's why he becomes far more interesting when he falters and founders into the villain; it also enables Jordan Metcalfe to exhibit his acting chops. Metcalfe physically looks very young--early teenager, one might expect. However, in the last few episodes of the series, Timon's body is overtaken by a blood-virus that turns him into a reptilian insect creature with evil intent. Basically Metcalfe goes from being would-be hero to Machiavellian villain, and the transition is amazing to watch. It's a slow initial onset that leaves the viewer uncertain about what exactly is happening to him, but the final change is very abrupt and physical.
It was while observing this change that I thought, He can't be a teenager. No way. And he isn't, but it would be easy to make the mistake. He's baby-faced, shorter than average, and his voice is a tenor--but he's twenty-one. Considering what the character has to eventually become, it was a wise choice for the casting director to make.
And now for something completely different (no, not Monty Python's Flying Circus). I was looking for images of Captain Jack Harkness (John Barrowman) of Torchwood--no special reason, I just felt like it--and one of my searches led me to a blog with this:
Consequently, the blog had this too, which also pleased me (since it was what I was looking for in the first place):



